Profile
I am an artist working primarily with installation, sculpture, and material experimentation. My practice explores transformation, accumulation, and the relationships that form between bodies, materials, and environments.

I am interested in materials as records of processes: things that fracture, erode, absorb, bend, decompose, and change. Geological formations, biological systems, and the structures of the body inform my approach to making, not as subjects to reproduce, but as systems through which I can consider growth, deterioration, interdependence, and renewal.

I work through processes of grinding, molding, bending, layering, binding, and assembling, often allowing materials to retain evidence of their manipulation. I am particularly interested in materials that remain active after an object has been made, so that transformation continues to occur within the work itself.

Through installation, sculpture, and experimental processes, I consider how the physical traces left by transformation can become structures, forms, and relationships. My work moves between the geological, biological, and bodily, treating material change as both a physical process and a way of thinking.


Education

The Cooper Union for the Advancement of Science and Art
BFA, Fine Arts | GPA: 3.8
2022-2026

Douglas Anderson School of the Arts
2017–2019 | GPA: 4.1 (weighted)


Employment

Photography Lab Assistant (Federal Work-Study), The Cooper Union, 2022–2026

Thesis Documentation Photographer, The Cooper Union, 2026

Exhibition Installation & Curation Assistant, End-of-Year Exhibition, The Cooper Union, 2024 & 2026

Architecture Lab Assistant (Federal Work-Study), The Cooper Union, 2023-2024

Enrollment marketing and commencement assistant (Federal Work-Study), The Cooper Union, 2024-2025



Skills

Traditional Skills: painting, drawing, printmaking, welding, photography, creative writing, sculpture.

Natural Materials: abaca fiber, paper pulp systems, starch-based binders, agar, natural dyes, iron oxide, aluminum, natural fibers, coconut coir, salt, carbon-based pigments, natural chemicals.

Processes: hand paper-making, fiber processing, fermentation systems, oxidation control, crystallization processes, dye extraction, material layering, environmental conditioning, and structural tension systems.

Software: Adobe Creative Suite.



Exhibitions

Footnotes (Solo Installation)
The Cooper Union Library Atrium, New York, NY, 2026

Sadden (Thesis/Solo Exhibition)
The Cooper Union, New York, NY, 2026

New Student Exhibition
KHM1, Friisgatan 15, Malmö, Sweden, 2024

Group C+ Showcase
The Cooper Union Foundation Building, New York, NY, 2023

End of Year Show
The Cooper Union Foundation Building & 41 Cooper Square, New York, NY, 2023-2026



Awards

James Craig and Irene Scala Designing with Type Award

Vincent J. Mielcarek Jr. Memorial Prize

Innovator Scholarship (2022–2026)



Flavia Murillo
murilloflavia18@gmail.com, @murflavp
Gumdrop
2026
5 x 6 x 33 cm

Lorem Ipsum...

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Isomalt, onion skins, shellac flakes.

Fire Ants
2026
32 x 83.7 x 124 cm

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Coconut coir, abaca, turquoise, aluminum, salt, wheat starch, gum arabic, bloodroot, red iron oxide.

Guatita
2026
152 x 8 x 243 cm

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3.3


Hemp Rope, coconut coir rope, madder root, jute twine, rusted nails.

Striving for  Reparation
2026
274 x 45 x 182 cm

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Abaca paper, wheat starch, sand, kaolin clay, calcium carbonate.

Daniela
2026
30 x 116 x 56 cm

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Abaca paper, logwood, alum, agar-agar, dried dandelion sprouts, wheat starch.

Second Burial
2026
16 x 30 x 26 cm
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3.3


Abaca paper, methyl cellulose, raw abaca fiber, agar-agar.

Appendix
2026
15 x 30 x 26 cm

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Coconut coir, madder root, red jasper, red iron oxide, turquoise, isomalt, shellac flakes.

Sadden
2026

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3.3
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